The Voice Vibes
With Cecilia E.L. Mendy
Pascal Mendy, popularly known as Abuk Najago, is emerging as one of The Gambia’s most culturally distinct contemporary musicians. By blending traditional roots with modern sounds, he has carved a unique identity in a crowded music scene.
Unlike many artists who credit international superstars as their inspiration, Pascal’s journey began at home. Growing up under the same roof as his elder brother—now one of the country’s leading music promoters based in Germany—he was immersed in a creative environment from an early age. “I didn’t find music outside,” Pascal recalls. “Music found me at home.”
Pascal began recording music in 2015, initially performing in English, Wolof, and Mandinka, similar to many Gambian artists of the time. Yet, he felt something was missing. “Everybody was doing the same thing, and in art, identity is everything,” he emphasizes.
The turning point in his career came through two significant moments: encouragement from videographer STS to explore Manjago lyrics, and a freestyle performance at the Westfield Monument, where he fused Manjago into his flow. The audience response was immediate. His experiment evolved into “Wakane”, his first song fully recorded in Manjago, which resonated strongly with listeners. “For the first time, people felt represented in a modern way,” Pascal says.
By combining Manjago with contemporary beats and production, Pascal brought his culture from traditional spaces into the modern music world, creating an authentic sound.
Although he began recording casually in 2015, Pascal’s professional career officially launched in 2018. His first EP, “Njika Biong,” was released on November 4, 2022, at the Brikama Box Bar. After parting ways with his management, he took a brief hiatus. “I had to pause and recover,” he explains. Now, stronger and more focused, Pascal is preparing a comeback, armed with lessons learned.
Pascal has recently collaborated with prominent Gambian artists, including Jizzle, Andrew, and Hussain Dada, projects that are expected to feature in his upcoming releases. “For every artist, it’s a dream to work with people you admire,” he says.
One collaboration Pascal regrets not completing was with the late Americo Gomez, considered a pioneer of Manjago music. “He was the flag bearer,” Pascal says. “We all looked up to him.” The two had planned a project together before Gomez’s passing, a loss Pascal describes as a permanent scar.
Offstage, Pascal is quiet and introspective, describing himself as a “mummy’s boy” who values peace and solitude. He is also deeply involved in shaping his image, designing many of his outfits and collaborating with designers such as Taff Bell and Bas Wagga. “Everything I do reflects my culture, even how I dress,” he says.
Pascal also rejects the stereotype that musicians are uneducated. “I went to one of the best schools in this country. Music is not for illiterates; it’s a calling,” he asserts.
While he acknowledges the practical need for a side income, Pascal explains that constant travel for recording in Dakar and other countries makes regular employment impractical. His earnings come primarily from performances, bookings, and support from family.
Pascal’s goal is to take Gambian music to the international stage while remaining rooted in his Manjago heritage. As he steps into this new phase, he stands not only as an artist but as a cultural bridge, proving that honoring one’s roots can create music that resonates worldwide. Fans can look forward to a new chapter of music from Pascal, filled with songs that celebrate culture and identity.